played by electric indigo !! we kick off the label again with a release from mexican artist, betoko. a member of amnesia resident, mar-ts wow! records (alongside paco osuna, valentino kansyani, & tobi neumann amongst others), his big room tracks have found homes with many leading djs and featured on several high profile compilations. >el hijo de la guayaba< encumbers a jacking percussive with a latin feel vocal and building piano which builds through the whole song with a fat bass. the production on this is awesome, mexican techouse, spread the word here we come

neo-trance theme !!! angels of kindness are seesawing in their fluffy clouds while eavesdropping the new opus - and yes, one can easily call it an opus - of catekk. dunning the sound creeps up (up from the viennese flex club?) through this mundane labyrinth. muse awakened the apocalyptic riders with its kiss and instead of the twilight of gods you are served subtle grooves, which only admit zeus sharp lightning to pass through the thunderclouds of bass. thunderstorm and labyrinth makes, how could it else be? a markus lange remix, who obviously enjoyed remixing this big theme, while following catekks traces in the wind. whos still missing? yes, newbornchristians must be around, when it comes to remixes with the perfect relation between foolishness and intelligence.

amazing piece of lovely & harmonic music! big with tobi neumann, kiki, benno blome, mijk van dijk, martin eyerer, dole&kom... tracks by asem shama (vanguard) and rundfunk3000 (mollono.bass, acker, kombinat 100)

poni hoax poppiest moment comes reshaped by chloe, one of our favourite french producer and djs. she managed to turn the original into a long hypnotic house journey driven by repetitive voice drones and cut ups and a pounding bass. deep, subtly melancholic, cold and warm at the same time, everything we love about chloe is there. on the flip side, principles of geometry exercise their passion for detuned synthetisers on the beautiful juno 106 chords of poni hoaxs paper bride, the opening track of their recent album.

hairy claw follow up the johnny d, akufen, funk d void, agnes, kiki (and many more!) supported release from dan drastic with this, calculus >loosey goosey<. mid-tempo, groove based house at its best, >loosey goosey< is a lurching, sinister cut of the highest order. the remix comes from none other than reboot. currently riding high with his amazing >letters /be tougher< on cadenza as well as amazing remixes for the likes of lemos and warieka on below and connaisseur respectively, reboot has delivered a peak time remix which combines jacking fm bass, loose percussion and the trademark reboot arrangement to brilliant effect.

limited to 300 red coloured copies. giorgos gatzigristos kicks off with 2 crunchy techno stompers. ultradark, moody and bass heavy. dj support from:miss kittin, lauren garnier, len faki, sasha, nick warren, mauro picotto, agoria, hernan cattaneo and many others!

excellent breakish electro house monster , for fans of azzido da bass s dooms night... killer !!! incl lee mortimer techhouse mix

the debut record of ritmolider kaleidoscope is a traditional studio work with live performance and classic analog sound. being in the era of nu disco and re edits the author has tried to find his own way of making music based on traditional methods of performance. and hes got a beautiful symbiosis of instrumental improvisations and electronic melodiousness. at the begining of the record theres a superb remix by the beat broker - deep, groovy synth disco, highly recomended for dancefloor! the second track is a journey into obscure psychedelic funk with lots of improvisations and atmospheric tunes....a pity so sweet percussions are added so late. b2 tonight at the discotheque will carry you away by the real soviet disco vibe. a beautiful arp solo softly flowing through amazing effects and acoustic drums focused on free played funky basslines. the original version of kaleidoscope is also a very interesting one. a mood of this composition is changed all the time. the first seconds of the track you hear a tender melodic solo which makes you feel calm and relaxed, then you get the groove coming from an agressive arpeggio and dinamic percussion. soon this feeling gets interrupted with a sudden slap bass impromtu playing together with a synthy accompaniment, and it turns into another feeling, and so on... this really reminds of kaleidoscope effect!

an ep the compliments the finer house elements, each cut displaying separate elements that serves it up for house essential mix grooves. a1, state and griswold is funky with a jazzy vibe that expresses a smooth vibe that’s complimented with soul. the elements pair up for a jamming instrumental accented with detroit style keys, kris wadsworth shows his home-style techniques with class for >state and griswold<. b1, keep pushin track, turns out with a squared bass line, coupled with the chords, and some fx that walks this cut to a swingy deep house groove. b2, keep pushin remix by chris carrier hits with a quick released thick beat, that pumps the original jam into a smooth tone of deep chords that slowly warp out with a kind dissonance towards the break down. programmed tracky, the original is pushy enough to keep the floor consistently on the move

the pump ep is a typically genre-bending mixture of pumping, groovy house tracks, exploring the many sides of this highly regardedproducers fruitful repertoire. lead track the pump is a vivacious number that takes a clean, modern house aesthetic as a base and later infuses it with a dirtier, earlier morning vibe, with phoniques playful use of the resplendent chord stabs. its a slow burner indeed, and yet another example of his effortless arrangement talents. fancying a spot of fresh air and a trip into the audio countryside, bike ride is an even more playful journey into the kooky electronic world of phoniques studio outings. solid drums and warm sub bass provide the energy for all manner of pops and tweaks to unfold. its another deeper track but be warned it still has the power to lift a crowd up onto its tip-toes. going down more of a techno route, tooltime completes the package and breaks out the big guns for some serious heads down dancefloor ignition. urgent and tight late night action, not for the faint of heart, the tracks title is too modest - it should really read ‚ peak time

incl remixes by johan bacto (sway, zync), vincent de wit & bas mooy (patterns, audio assault)

the first release on this new label is from gatto fritto who has released records on dissident and electric minds and recently remixed subway on souljazz. the a side hex is a nine minute, mid tempo, atmospheric, bearded disco trip taking in falsetto vocals, straight to video synths, acoustic guitars and the budget, analog death rattle of a vintage siel cruise. the bmside beachy head is a teutontastic tribute to the uks favourite suicide spot. a 3/4 krauty synth builder that spills into layered waves of guitars and unforgiving rocks of heavy analog bass...think klaus schulze and steve reich rolling off a cliff in 1983 datsun cherry.

great dark & atmospheric electro rmxs

gd luxxe from vienna remixed by patrick pulsinger, ectomorph, dmx krew and adult. real electro for real electro lovers. watch out for loops!

played by: nick curly, cassy, prins thomas, raresh, robag wruhme, 2000 and one, agnès and many others !! swedish brandy productions brings you two killer-remixes by atjazz (mantis rec.) of andre zimmas (aka slope) broken beat afro-inspired track m.u.s.i.c. the original track was first released on their turbulence ep (sb010) with featuring acts like clara hill, colin corves and alex barck. atjazz, with his touch and magic, turns this track into strictly nyc pressure, that will do some serious damage across the globe. already played and charted by people like gilles peterson, onsulade (which directly requested the track for his compilation passage on bbe), karizma and opolopo to name a few. on the flipside atjazz delivers his stunning dub-mix, that carries a stripped smoking package of deep bass and dubby chords. so just drop the needle for a second, and you find that both cuts are essential dancefloor material with the purpose of making the crowd groove and move!.

brilliant micro- house/ minimal-tech-house with orchestral pads and a small but mighty helping of funk & dirt. 5 ***** de:bug & raveline!!

supported by richie hawtin, dubfire, format b, hosh, someone else, steve lawler, dj friction and many more.. aus dem umfeld von fortschritt 3000 gibt es wieder ein neues künstlergespann. mark vogler und molle aka mollono.bass von kombinat100 haben zusammen nächte lang im studio gesessen und an neuen tracks geschraubt. dabei entstanden, ist ihr neues live projekt rundfunk3000 was sie nun auf ihrem hauseigenem label acker records mit der >zirtow ep< präsentieren wollen. session ist das wort das sie lieben und so klingt auch ihr neues werk, eine mischung aus house, jazz, techno und allem was spaß macht. zum einsatz kommen instrumente wie hammond-orgel, percussion und saxophone synthies. die a site mit >loop durch raum und zeit< erinnert an vergangene tage und klingt doch sehr aktuell, ich sag nur jazz in the house .... die nummer macht spass, geht nach vorn und wird bestimmt ein highlight auf dem einen oder anderen dance floor in unserem universum. die b site mit dem track >mein bodo< spielt eher irgendwo im tiefsten asien, lässt einen schmunzeln und ist irgendwie funky.

2. teil der popnoname album 12inch vinyl serie auf italic und repräsentiert die club seite von surrounded by weather mit den instrumentalen und tanzbaren stücken perspective und crack und einem neuen mix von the movement. die a-seite perspective ist das herausragende krautige disco stück des albums und bezieht seine energie aus improvisation und tiefe und klingt wie ein morgenspaziergang durch den nassen deutschen wald. das radikale crack ist das strengste stück des albums mit seiner monotonen stroboskophaftigkeit und der harten ekstatischen tanzbarkeit. doch auch hier deutet sich duch die flächen ein hauch von zartheit an. den abschluss der ep bildet the movement im neuen >revolution mix<. der mix beginnt flächig mit vereinzelten gitarren bass sequenzen, der federnde beat unterstützt dabei die dramaturgie des stückes und der gesang verdeutlicht noch einmal den pop- appeal von popnoname. der ideale soundtrack, um das 70er kraut gefühl mit dem 90er techno gefühl zu verbinden und heute neu erstrahlen zu lassen

cobra records continues on the beat techno, with a spanish artist david moleon, an owner of the label moo up, who delivers us tracks techno 2 indeed, including, break, good bass turn, an artist that we shall see evolving on the other labels for the future. killians followup the boss of the label, already produced on labels primate, primevil, yin yang, which remixed the track no control, with a groovy touch, or we reknow its signature, and by adding it some good samples old school. a very good e.p to shake your dancefloors

already the fourth release on the label bazz implant records. this time its an one sided killah! divato & troubleboy strike hard with this track, filled with pounding kicks, bass and a raw uplifting melodie and the vocals are done by no one less than da mouth of madness! the cool vocal edits combined with the phat kicks and bass will make ya rock! prepare for this massive floorfiller! already major support by: deepack, dana, noisecontrollers, vortex, dozer, b-front, the pitcher, dallucia, coyote...

already supported the likes of richard earnshaw, andre harris, jevne and jask. share it now gets a total re work from dance maestro jay j. he kicks his mixes into overdrive, creating a set of jumpy, bass driven floor killers that pack a relentless groove.

shafunkers are the manchester based production duo alex mcculloch and austin moore. after a random meeting at salford university in 1997, they quickly realised a shared passion for music production and they began their musical partnership by creating drum n bass and breakbeat tunes under the guise of sinewave. both classically trained musicians with influences ranging from jazz to the beatles, the duos mutual love of dance music eventually led to them to start producing house music together. tick tock is no exception to their remarkable quality, in fact alex has described it as some of their hottest work to date. a catchy, melodic hook floats effortlessly over quirky electronic percussion. remixed by danny freakazoid and ben hoo.

nice price deal !!! amiel is a suicide blonde pop sensation from downunder. you will remember the beautiful girl and her mesmerizing voice from puretones >addicted to bass< – the massive drum n bass crossover hit that even reached the top of uk charts in 2002. her first solo album >audio out< archieved gold status in australia and amiel was nominated for five aria awards including best femal artist, single of the year and breakthrough artist of the year. >be your girl< is track from her second studio album >these ties< topping the dance charts with a simple formular: a sweet an irresistible voice combined with pumping beats.

for our third release apple pips is proud to present a relative newcomer from san francisco ? jus wan. out of the countless demos and mp3s we get sent, jus wan instantly stood out with his blend of 2 step rhythms, techno soul and deep subs?appleblim cut both tracks and got a great reception to them, so much that he included action potential on his dubstep allstars vol.6 mix cd for scene-leaders tempa? action potential ? deep as you like?relentless rolling riddim, berlin techno style delayed stabs and a solid foundation of bass make this a fresh take on the sound? affletic ? switching the tempo to 140bpm and twisting the same sounds into ever more entrancing shapes t++ shows his love of drumfunk producers such as paradox in a new exciting context

ultraphat miami bass electro classic !!!

adam beyer continues his strive onwards and upwards with this new 2 track killer from fellow swede - hardcell. both tracks are devastating with the a side - only being a bass heavy driving bomb that peaks and builds effortlessly. on the flip we have neo acid whcih as the title suggests has a rather menacing dirty acidic lead pattern underpinned by slamming drums. another winner from one of the scenes best labels.!

first release on top billins nightrunners (nr001) series, which is dedicated to original production, not only remixes. sharkslayer is the side project for sir nenis & dj pushups of the top billin establishment. dedicated for the more tech and house -sounds of club music, their productions will slay dancefloors anywhere. as being high on dubstep, ghettohouse and tech-house, not to mention the love for soul, boogie & dancehall, they create a unique blend of club music thats the sound of now. already picked up for remix duties for such labels as mad decent, trouble & bass and plant music (run by the legendary strecth armstrong) and causing a stir at blogs and playlisting and club play from such top djs diplo, sinden and fake blood, theyre set to release their debut 12 on top billin...

hidden recordings first vinyl release after two years with only digital. the releases are called hidden sessions and will be a series of 4 track records with music from the digital releases over the past two years. the first record includes tracks from argentinas gustavo lamas, who received a rave review in time out new york and not to be out-done was the remix by deepak and dieter krause. the 3rd and 4th tracks come from an earlier release from deepak and dieter off their >shes got soul< ep. hades is a darker, high energy minimal track which was received nicely in europe reaching no16 on top downloads for kompakt-mp3. >blow< has been labeled the duos signature track with warm deep bass, soft pads, guitar riffs and a strong psychedelic influence. the track also received strong worldwide recognition as it was licensed to uk label fourtwentys music02 mix compilation completed by james mowbray

whether it is early december or late august, gel abril keeps it hot or cool - depending on which side of the equator youre on - with an exceptional 12inch of synth soaked, bleep saturated and tech drenched house. all exclusively produced by the talented shlomi aber in their hometown of tel aviv, israel. collectively they have released on josh winks ovum rec as well as their own acclaimed be as one imprint. eerie sounds meshed with techno chirps are trademark elements of the be as one crew sound, but it is the dramatic synth chord breakdowns and perfectly plump and rounded kick drum that stand out in this outing. so plump and juicy in fact, one can almost get lost in >miranda< through the rhythmic thudding of the pristine bass drum. suddenly a parade of jumbled synth snippets frolic and bobble around like umpa lumpas randomly jumping on a trampoline. think this track is all fun and games? play this peak time and watch the crowd do the >tel aviv shuffle<. don t know what that is? watch it appear before your eyes as the hypnotic sound washes over the ears of the captivated crowd

rmxs by clouded vision & noob ! i met brodi early last year, he had a track called >bad runner< that i had been playing incessantly. it leaked onto blog sites months before its release on mental groove in october 2007. it found its way into erols box among many others very early on and the hot fuss began. as a dj, despite hailing from france (reims, lille), unexpectedly brodis taste is broad. if your expecting banging gnarly electro bombs… unlucky. he can play anything from noisy techno, bass heavy house through to more melodic minimal. plus, if you think you spend more time searching the net for new tunes than anyone else, think again. this guy is committed and now his second, and even better ep is here and he has saved it just for turbo

formed in 1997 by philipp albrecht (guitar), rene albrecht (drums) and christoph lenz (bass) - singer christian erne entered the band in 2000. since he left plenty enuff in 2007 philipp albrecht and jessica sigfalk took the micro power. plenty enuff have been experimenting with sounds from the sixties for almost ten years. starting off with a traditional type of ska they soon switched to a dark blend of roots reggae. their large amount of shows already brought them to the jazz festival of montreux this year.

groovy remake for the great 1989 hit signed spandau ballet / elektro bass, spanish guitar sound / 4 really good mixes

nice price deal !!! banging hardstyle mixes by max b grant & djanny and blue devilz!!

the third installment in the catz n dogz vinyl series is a showcase for two standout songs off their album stars of zoo. >sf< is a throwback to classic house tracks, with a modern twist - a playground full of joyous children have invaded its sly, bongo-laden grooves. yet these precocious youngsters are only part of the story – the beats insistent and ever-changing swing never lets up for more than a couple of moments. >2< is more ominous but no less effective. its primary percussion enters like springs filling up an echo chamber, gradually morphing into several competing themes that weave together throughout the track. 2s bass is a serious force, creating a physical presence that must be heard on a large system to be believed!

omanko is the only word that is unmentionable in japanese media and public speech. its also the next single from catz n dogz - a strange hybird of cinematic swells, quirky natural drums and popping guitar plucks. its unorthodox groove builds relentlessly, anchored by a shouting chorus and warm bass bubbles that swell from the depths like some massive ancient sea creature. they take their time building to the climax, finishing the track with late-entering keyboard theme that quickly swirls into a frenzy. perfect for tipping that peaktime crowd over the edge! the italoboyz remix completely remolds the groove to fit their distinctive vision, seamlessly integrating shards from the original into their tension-fuelled agenda. breakdowns of varying sizes dominate the sonic landscape, as their annihilating kick plays hide and seek with the strings throughout the track. finally, all the elements are reunited by the echo-drenched vocal line and percussive baritone sax stabs – a satisfying finale to this latenight masterpiece.

the invaderz soulful streak shines throughout this killer release. for all the people has become a staple of dance floors around the world with its anthemic intro which builds with its hypnotic vocal before dropping into a killer beat work out and serious bass line. this track stands out next to previous liquid v releases.

incl. rmxs by reboot & alexi delano!! big support by... onur Özer, barem, karotte, tobi neumann, laurent garnier, mathias kaden, wighnomy brothers, einzelkind, markus fix, robert dietz, seph, nick curly, toni rios, tony rohr, dorian paic, vera, matt star, motorcitysoul and many more.... frankfurt is definitively the capital of a new house movement and has produced several artists in the recent past who have closed the gap between house and minimal. the newest discovery of the main metropolis is the 24-year old producer timos who dares exactly this balancing act with his debut single >vendor<. vendor which more or less translates as market stall crier is based on a solid bass line over which lie several deep chords. the peak of the track is formed by the harmonic interplay between a vocal sample, which reminds you of a mediterranean market, and almost hypnotising strings

not too late is norah jones highly anticipated third album. made up of 13 songs - all of which were written or co written by norah - the album was produced by lee alexander, norahs long time song writing partner/bass player. the album features distinct traces of dusty in memphis style southern soul, as well as the kind of sleepy, sultry vocals that have been ubiquitous in coffee houses all over the world since the release of her 20+ million selling 2002 debut album, come away with me.

massive party breaks action!!

a huge tech house output!! the a side proposes >welcome to the moon<, a pure underground anthem with his instantly recognisable and wicked drum programming style. then the track drops a huge and energetic bass line with a screaming 90s rave-influenced synth loop. the dark voice rises among random effects giving that spacey atmosphere when the break push it up to the standout climax. are you house heads ready for this? the b side drives us to another planet >mars<.this progressive-tech track stands into dark-prog line. packed with loud bass this is another big room tune that everybody should play. the bass line rolls on a simple drum pattern giving to the synth the main objective to make you shout. then the whole track is served up by a constant acid line creating a sinister feeling to this club monster

nevamiss makes a welcome return to z audio on down south dubs! 3 bass laden cuts of quality dubstep!!

massive techhouse 2 tracker!!

after the huge moonbeam >flickering ray< , move recordings continues with this amazing release from the new single to come out of end-jy. the logo side track «demons » combining sublime slamming baseline and a killer kick. is an angry club stormer in their known electrotechno fashion. a jacking track that is guaranteed to make the club bump. as if this wasnt enough on the flip side « heat » pick up the pace with an amazing pumping groove, perfectly to rock the dancefloor. with a huge dirty bass and killer drums which will be played as a peak time weapon by djs across many genres..

amazing christmas edition !! be quick.. incl the biggest underground christmas song i ve heard for a long time ->tanz der zuckerfee< big with kollektiv turmstrasse, someone else, gorge, steve lawler, martin eyerer, oliver klein, jussi pekka, p.toile and many more..

sica produced this electroid downbeat-soundscapes in 2001.

superb remix ep with deep and wobbly mixes! chuck love in a jazz mood, jt donaldson adding some bass heavy disco flavour and oriental funk stew themselves.

electric minds are proud to have ilija rudman for their 8th release. ilijas repertoire is already extensive having had his productions released on labels such as rong music, infant/2020 vision, compost, love is war,deep freeze, bear funk and of course his own label red music which he runs from his base in croatia. his work has been recognised by industry greats such has greg wilson who commissioned his remix skills for his >after midnight< track as well as rave reviews in magazines such as idj, dj mag & mixmag.after that ilija and greg decided to do an original track under alter-ego , yolanta sy , the garden ep. ilija delivers two deep house disco tracks for electric minds. the a side >ocean colour< is reminiscent of metro areas early work and delivers a driving bass line with added synths to keep the track moving along nicely. for the b side ilija thurns out his remix skills on chaz jankels >youre too funky<. after hearing yam who?s original version ilija asked to remix this track to this package a double a side release. the remix brings a deep house

mark it off, to keep it holy, not to be mistaken for ordinary...

incl marcel dettman remix !! the defining feature of bass music in 2008 has been the expansion of the dubstep sound across disparate genres. scubas debut long player, a mutual antipathy exemplified this phenomenon, mixing dubsteps bass rumble with the eccentricities of dub techno and electronica into a sprawling cinematic landscape.